Wednesday, March 18, 2009

oops...

I just realized that I forgot to post my title sequence on here... my bad.
(obviously... it's only a half-resolution version)

Monday, March 16, 2009

New Media Award nominations

Best Overall Sequence
- Luis Puga - The Good, the Bad, and the Ugly
Best Use of Typography
- Veronica Hoch-Anderson - Alice in Wonderland
Best Use of Sound
- Luis Puga - The Good, the Bad, and the Ugly
Best Motion-Graphics
- Juli Simek - Vertigo
Most Audience Appropriate
- Andrea Houk - Alice in Wonderland

Progress & "Finalization"







So here we are - end of the term. I finally made it all the way through Art328!
Differences made to my title sequence are a mix of subtle and blatant. First off, after working in Audacity for a few hours trying to get the song editing correct, I decided to just drop it and find a new song that could still fit the emotive qualities inherent in my imagery, and could be edited with greater ease. I spent about 5 hours running through all the music I own, and narrowed the field down to three new choices:
"Company Town" by Painted Saints
"The Lament" by Painted Saints
"Mr. Goodnight" by The Kelley Deal 6000
I ended up settling on "Company Town," and it was much easier to get it edited down.
Unfortunately, I was planning to re-shoot my footage on Saturday, however when I arrived at Fairbanks, it was completely locked up. As a result, I had to time stretch some of the footage that I was already using to make things fit, however the result of slowing down some of the footage made things a bit choppy towards the middle of the sequence. Overall though, I'm fairly pleased with the end result.

Monday, March 2, 2009

title sequence: draft 2

So here's the same thing with just a few slight changes. Nothing too drastic yet, such as the pacing for the latter portion of the video.
"Trainspotting" rough draft 2

Sunday, March 1, 2009

title sequence: draft1



Here is my rough draft for the "Trainspotting" title sequence. I think it's a decent start, but I feel that the end is pretty rushed, so I'll have to look more into the pacing. Other than that, it seems like a pretty good point to leave off at for the weekend.


Wednesday, February 25, 2009

storyboards















Upon thinking about how I would need to set up my previous idea for filming, it was just too much work outside of the software we're supposed to be learning, and difficult to arrange a model and work around weather conditions. So I decided to instead use a primary and somewhat constant/consistent filmed background to establish an "arena" on the screen with depth and perceived space/dimensionality that assumes the role of providing a sense of being trapped within oneself. In the long run, I feel that this approach will yield a much more fluid and dynamic return, owing to the idea of setting a mood rather than filming a somewhat relevant narrative as a precursor to the film. The stills in the storyboard are obviously chronological, with some content gaps, but the background is always in motion, moving around in sync with the music - some slower segments, some faster - that correlate with the in-focus linework and intermittent blurred imagery.

Monday, February 23, 2009




So it took me pretty much the entire weekend to settle on an appropriate song that I feel encapsulates the feeling of being cradled by a drug in both the melody and lyrics (stemming from my own similar experiences a couple years ago). I at first looked up blatant heroin based songs, but they all seemed a bit too obvious.

"Object" by Ween
This song's lyrics are somewhat ambiguous in meaning, as the song is generally considered to have one of two possible narrations:
1) It is a murderer singing to/about a recent woman he killed.
2) It is a first person dialogue in which a man is talking to his penis with intent to circumcise himself.
In either case, I don't imagine that those narratives would be conveyed when meshed with visuals of a drug-related nature - the major emphasis being placed on the repetition of the word "object."

Other possible song choices I generated include:
"Walk on the Wilde Side" - Lou Reed
"Symphony No.7" - Beethoven
"Most of the Time" - Bob Dylan
"Garlands" - Cocteau Twins
"Alone" - Colin Newman
"Atlantis" - Donovan
"Needle in the Hay" - Elliot Smith
"Time to Pretend" - MGMT

Inspiration for this mood, feeling, etc, is from a particular scene from "Trainspotting," in which the main character and narrator, Renton, experiences his first heroin overdose - left completely helpless and at the mercy of his habit. I couldn't find this clip in English, but this dubbed version should suffice. And here are a few stills from this scene of inspiration for the sequence/color palette.